Galina Alexandrova was born in Moscow, Russia to parents who were principal dancers with various companies. Galina's father, Mikhail, was a soloist with the Moiseyev Dance Company, and her mother, Svetlana, was a principal with the Stanislavsky Ballet in Moscow for over 20 years.
At the age of ten, Galina was accepted to the legendary Bolshoi Ballet Academy in Moscow. After graduating, Galina was personally selected by Artistic Director Yuri Grigorovich to become a member of the Bolshoi Ballet. Galina danced there for seven years, performing many soloist roles in all of the Bolshoi's repertoire.
After meeting her American husband Ken, Galina immigrated to the U.S. (San Francisco), where she joined the San Francisco Ballet. While with the company, she performed many soloist roles in works by George Balanchine, Lew Christensen, Helgi Tomasson and many more. She also worked directly with world-class choreographers such as James Kudelka, David Bintley, and Glen Tetley.
Galina continued to dance even after the birth of her two elder children, Sasha and Katia. After the birth of her third child, Nastia, Galina retired from professional dancing.
In 2003, the opportunity to become Artistic Director of City Ballet School presented itself. Already equipped with vast knowledge from her own training and career in both Russia and America, Galina was further mentored by her mother, a master teacher at the Bolshoi Ballet Academy in the art of teaching the Vaganova syllabus. Over her tenure as Artistic Director, Galina has built an international reputation for the school as being one of the finest Vaganova training facilities in North America. Since becoming Artistic Director, many of Galina's students have gone on to dance professionally throughout North America and Europe.
Nikolai Kabaniaev has been in the field of classical ballet for over 40 years. He is a graduate of the prestigious Vaganova Ballet Academy in St. Petersburg, Russia, and before immigrating to America in 1989, danced for seven years with the world renowned Kirov Ballet (Mariinsky). There, he performed various soloist and principal roles in such ballets like Giselle, Les Sylphides, Cinderella, Paquita, Nutcracker, Napoli and Fountain of Bahchisarai.
Mr. Kabaniaev served as Associate Artistic Director, Choreographer and Men's Technique and Partnering instructor for the Kirov Academy Ballet of Washington DC. for three years He represented Kirov Academy as a judge at the 2011 Youth America Grand Prix New York Finals and 2012 Japan Grand Prix in Tokyo.
Mr. Kabaniaev has choreographed over 30 original ballets for numerous companies around the United States and abroad including: Miami City Ballet and Maximum Dance Company in Miami, Florida, Kirov Academy of Ballet in Washington DC, New Orleans Ballet Theater in New Orleans, Louisiana , Faruk Rusimatov Touring Company in St. Petersburg, Russia, Nevada Festival Ballet in Reno, Nevada, Maui Ballet in Maui, Hawaii, Ballet Fantastique in Monterey, California and many more.
Mr. Kabaniaev has staged classical repertoire such as Swan Lake, Sleeping Beauty, Giselle, La Bayadere, Paquita, Nutcracker, Chopeniana, La Silphide, Le Spectre de la Rose and La Vinvandiere to name a few.
Mr. Kabaniaev has taught ballet classes for San Francisco Ballet and San Francisco Ballet School, Boston Ballet, Maui Ballet, Mazatlan Ballet (Mexico), Reiko Ivache Ballet (Japan), Diablo Ballet, Contra Costa Ballet and Company C Contemporary Ballet in Walnut Creek, California.
Ms. Alexandrova was born in Moscow, Russia and graduated from the world renown Moscow Academy of Choreography (Bolshoi Academy), where she graduated with honors. Upon her graduation, Marina was selected from the school to become a member of the Bolshoi Ballet. While there she danced in virtually all of the Bolshoi's repertoire, highlighted by rich classical ballets such as Swan Lake, Giselle, The Sleeping Beauty, Spartacus and many others. Marina danced solo roles in both operas and ballets such as Ivan Susanin, Prince Igor and Mazeppa.
In 1991 she became a principal ballerina in the Moscow Festival Ballet, where she traveled the world dancing many of the lead roles. In 2003, she was awarded as an "Honored Artist of the Russian Federation". In 2006 Ms. Alexandrova graduated with honors from the Russian Academy of Theatrical Art with a degree in ballet pedagogy.
Instructor, Levels I, II, & VI
Born in Altoona, Pennsylvania, Kristin Long trained at Allegheny Ballet Academy, Central Pennsylvania Youth Ballet, and San Francisco Ballet School. At San Francisco Ballet School, she trained under master teachers Larissa Skalenskaya and Irina Jacobson. She was named an apprentice in 1989, she joined the Company in 1990, was promoted to soloist in 1992, and to principal dancer in 1999. She has performed the lead role in works such as Tomasson's Giselle, Swan Lake, Romeo & Juliet, and Nutcracker; and Tomasson/Possokhov's Don Quixote. She created principal roles for choreographers Adam, Bintley, Possokhov, Tomasson, and Welch, among others. Long's repertory also includes Ashton, Balanchine, de Mille, Forsythe, Robbins, Taylor and Wheeldon. Kristin's awards include the Isadora Duncan Dance Award for ensemble performance in 2001 and the Princess Grace Foundation Award in 1990. She has performed as a guest artist with several companies, including English National Ballet.
Instructor, Levels III & IV
Anne-Sophie Rodriguez was born in France and started her studies there before moving to the United States. She trained at the San Francisco Ballet School with renowned teachers including Irina Jacobson, Jorge Esquivel and most notably Master teacher, Larisa Sklyanskaya whom she credits for instilling in her a deep technical and artistic knowledge of dance which she is eager to pass on. Anne-Sophie graduated from Boston Ballet School where she had relocated to study with Madame Tatiana Legat. She performed with companies such as Boston Ballet, Tulsa Ballet, the Norwegian National Ballet, the Metropolitan Opera Ballet, and Ballet Internationale. As a freelancer, many contemporary works were created on her during her time with New York City companies: Janusphere Dance Company and Compani Javedani.
Prior to moving back to the San Francisco Bay Area, Anne-Sophie taught at esteemed schools including the Ellison Ballet, Joffrey Ballet School, the Gelsey Kirkland Academy of Classical Ballet and Ballet Arts, as well as privately. Additionally, she was Pentacle's Behind the Scenes Choreography Mentor at the Frank Sinatra School of the Arts.
Anne-Sophie holds certifications from the Bolshoi Ballet Academy Teacher Training Program in the method of classical dance instruction for elementary and intermediate classes. She is attending the 2015 program for the advanced portion of the curriculum. Her most recent undertakings include in-depth yoga studies and she is a graduate of the Janet Stone Yoga 500-hour program. She credits master teachers Janet Stone, Scott Blossom and Christopher Hareesh Wallis with continuing to deepen her knowledge of self and how to best relate to others. Though she is demanding, her approach is compassionate and loving. Anne-Sophie is grateful and happy to be part of our faculty and is dedicated to bringing out the best in each City Ballet School student.
Stretch and Strengthening, Levels I - VI
Svetlana received her training in Artistic and Rhythmic Gymnastics at the world renowed Zaporozhye Gymnastics School in Ukraine. The school produced many Ukraine and Soviet National Champions, World Champions and Olympic medalists. Her ballet training was an organic part of the gymnastics school program. Later, Svetlana continued her rhythmic gymnastics training in Minsk, Belarus under the tutoring of the Belarus National Team coaches. She is a recipient of the Master of Sports of the U.S.S.R. in Rhythmic Gymnastics Achievement Award and has won numerous national and international competitions. She is also a graduate of the Belarus Institute of Physical Education and Sports, with a Bachelor of Science in Gymnastics Training and Exercise Therapy, given with distinction.
Stretching & strengthening are a huge part of all levels at City Ballet, and with exercises specifically designed to enhance ballet technique, we feel nobody does it better than Svetlana Scherba.